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degree angle from this, showing the house from the side wall in the bedroom, with the living room seen through the bedroom door. This gives a sinister edge, and a criticism, not so much of Conte's character personally, but of the press itself. But they were full of wild looking rock singers with rebellious attitudes, and this really pushed many conservative people's hot buttons, apparently causing people to imagine there was something X rated about them. Mabuse (1933) is his second sound film. The minister is a more democratic leader than Granger, or the Master of Metropolis. Still, I for one have had it with Marxist commentators who keep misinterpreting these scenes. The clash between the circular tables and the rectilinear cloths is jarring and visually overwhelming. ...

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Newspaperman Richard Conte in The Blue Gardenia and police sergeant Glenn Ford in The Big Heat each have assistants. The camera seems to be trapping her. Metropolis Metropolis (1927) is Fritz Lang's famous science fiction epic, and his most popular picture today.

degree angle from this, showing the house from the side wall in the bedroom, with the living room seen through the bedroom door. This gives a sinister edge, and a criticism, not so much of Conte's character personally, but of the press itself. But they were full of wild looking rock singers with rebellious attitudes, and this really pushed many conservative people's hot buttons, apparently causing people to imagine there was something X rated about them. Mabuse (1933) is his second sound film. The minister is a more democratic leader than Granger, or the Master of Metropolis. Still, I for one have had it with Marxist commentators who keep misinterpreting these scenes. The clash between the circular tables and the rectilinear cloths is jarring and visually overwhelming. ...




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This is a geometrically complex window. Later, the killer's room will have a large oval table in its center: a third, contrasting geometric shape. It is on the wall over where she works, and seems in an archetypal Lang position of control over her work.

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